in literature, had a perverse taste in librettists: he liked them bad, but amenable. That's what he got in Myfanwy Piper, and he pays the price for it as usual. Between the two of them, they cooked up a drama in which the lover is a singer but the illicit loved one is a dancer, and therefore on some kind of different plane of reality.
from James Fenton: The Guardian: Venetian bind
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