Tuesday, June 12, 2007

Great Regulars: When [Hans Magnus] Enzensberger observes

"the deep seriousness with which a woman there/puts on her make-up in the ruins of her kitchen dining-room", he contrasts her efforts to maintain pride in her appearance with the hopeless condition of her home, which is a result of a political situation beyond her control.

from Frieda Hughes: The Times: Parallel worlds

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