abound throughout [Eleanor] Wilner's book. In any other collection, "bisected glowing demonic" goat eyes might seem a little far-fetched. But in Wilner's masterful care, they push us just short of the limits of suspended disbelief, where we stop in awe of what has moved us there. Naming the book Tourist in Hell certainly goes a long way toward laying the framework for no-holds-barred images. Moreover, things are not as they seem in this collection, and the poet employs a number of elegant techniques to keep us right along with her, never losing a traveling companion.
from Powells: Review-A-Day: Travels to Tartarus
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[Ken Babstock's] language is dense, knotted, intense; his lines are breathtakingly impressive soundscapes. In subject and image, his poems are an uncanny blend of the timeless and antiquated with the hyper-contemporary (references to the latter include Hoarders, "Cincinnati divorcees spilling/out of leopard print," the Tasty Chicken House, and This American Life). Babstock is a gorgeous, disturbing, funny, bleak poet, and I hope this book introduces him to a much larger audience in America.
from Powells: Review-A-Day: Discovering Ken Babstock
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