Tuesday, August 28, 2007

Great Regulars: It was not just the story of wild times

and reckless kicks; it was an exploration of how the narrator matured past jazzy libertinism and into, maybe not necessarily the man in the gray flannel suit, but, a man who could stand toe-to-toe with him and know that his experience, his existence was at least more authentic and honest. Leland successfully separates Jack Kerouac the author (and his literary alter ego Sal Paradise) from the cult of Dean Moriarty.

from Powells: Review-A-Day: Why Kerouac Matters: The Beat Goes On

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