of the future that made his section an inspiration, though. He began covering poetry in a serious way, started working creatively with local events (you can actually see him in an NBCC event later this month), and took for granted that the readers of his section cared about ideas. He brought in reviewers like Scott Esposito and M.A. Orthofer and Kate Haegele who have a point of view and unique and informed tastes.
from John Freeman: Critical Mass: Goodbye to Frank Wilson
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