that [Allen] Tate the modernist objected to--the intimacy, the autobiographical detail, the conversational tone--that made "Life Studies" a triumph. In challenging the old canons of impersonality, [Robert] Lowell had shown the world that the most intimate parts of life--childhood misery, Oedipal longings, marital discord, mental illness--could be made the subjects for great poetry. Never before had a poet risked so much of himself on the page.
from The New York Sun: Reconsiderations: 'Life Studies' by Robert Lowell
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