Tuesday, May 16, 2006

News at Eleven: In "The Oulipo Factor,"

Marjorie Perloff describes [Caroline B]ergvall’s "sonic, verbal and rhetorical devices" as being derived from "post-punk music and sound poetry," building on the Duchampian pun with sophisticated word play. "More Pets," for instance, starts with repetitive disjunctions:

a more—cat a more—dog doga more—horse

from The Brooklyn Rail: The Fruits of Risk

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