to pick out individuals; the additional background noise, meanwhile, muffles rather than clarifies. Which is a shame, because, if you take the trouble to tease them apart, there are some very strong poets in the mix.
In a reversal of the usual trend in anthologies (and on prize shortlists, for that matter), women outnumber men 12-5 here, and the ratio exerts a tangible effect on the collection's atmosphere.
from Sarah Crown: The Guardian: A blackthorn winter
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