without feeling that the ghost of Whitman is sitting next to us, particularly when you are dealing with so-called minority or ethnic literature. In the 19th century, Whitman was receptive to the idea of multitudes--a country that is made of many countries. He looks at New York City as a metaphor for the rest of the country, and that New York City is a symphony of voices, of backgrounds. In particular, when it comes to poetry, there are a lot of Latino writers that view him as a godfather, or even as a compadre. William Carlos Williams, Martín Espada, and Jimmy Santíago Baca, for instance.
from Smithsonian: What Defines Latino Literature?
~~~~~~~~~~~
No comments :
Post a Comment