The scale had finally tipped. The crownfrom B.T. Shaw: The Oregonian: Poetry: 'Pear Tree' by Karen Holmberg
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The scale had finally tipped. The crown
struck me again when I picked up "The John Lennon Letters" (Little, Brown: 392 pp., $29.99), a collection of 285 letters, postcards and inscriptions, edited and with an accompanying text by Beatle historian Hunter Davies. I can do without Davies' commentary; if you know the Lennon story, there is little here that's new. But the letters offer an opportunity to see Lennon less as icon than as human being.
by Robert Hershon
Four
Three
by Paul Lojeski
"Air Kissing on Mars," described by the Los Angeles Times as "sensual and evocative, seamlessly combining humor and heartache," and by Thomas Lux as "a rare and astonishing first book," was published by Red Hen Press in 2010. Dower's poems have appeared in Ploughshares, Rattle, and Barrow Street, and Eclipse. Her second collection, "Slice of Moon," will be published by Red Hen Press in the fall of 2013. She lives in Los Angeles.
with Scroll Verse, a recurring feature that presents the works of Jewish poets--or in some cases, poets who write on Tablet themes or have Jewish souls. Our last poem was White Noise in Jerusalem by Robert Hirschfield.
her excitement at this brush with literary glamour beneath a show of worldliness, her real feelings keep breaking through. No-one seriously challenges The Review. "Even I feel giddy from speaking so long of it", she admits in a final line that suggests part of the excitement of writing is the prospect of publication in its pages.
in 1967, publishing a small essay on poet Kostas Karyotakis' work. In the late 70's Alkaios first met famous composer Thanos Mikroutsikos, which led to a long-running cooperation with two milestone-albums, Embargo and the antiwar album, At the Shack of the Century.
covers history, both his own and some of Idaho's as well. And the book, which he wrote for his children and grandchildren, is full of his poetry.
and began teaching at a high school and shortly afterwards, his first collection, "The Forgotten Pearls", was published.
Here again. in this day and age, we have the case of a poet, who most certainly should be free, being jailed by people who the world would do better to have in prison, including Hamad bin Khalifa al-Than, the dictator of Qatar. Apparently now a wolf in sheep's clothing, he's had a year to free al-Ajami, and has allowed this shameful mistreatment of a fellow human being to go on and on.
in prison for inciting the overthrow of the government of Qatar and insulting the Emir Sheikh Hamad bin Khalifa al-Thani and his son, the crown prince, reports say.
has led to a decrease in the number of books that are being published.
her biracial identity while challenging preconceived societal classifications, both in the South and beyond. In "Help, 1968," she recalls her mother being mistaken for her maid. In that poem--inspired by a Robert Frank photograph from his 1958 book, The Americans--she writes:
for the Arts fellowship in a career is a remarkable honor, but to be honored twice in a single decade is one of the highest accomplishments a writer could hope to achieve," said Tod Goldberg, administrative director of the Low Residency program.
as "Suzanne," "Master Song," and "Fingerprints" were poems before they were songs. In adapting these pieces to music or creating new lyrics, [Leonard] Cohen never carved out sufficient space for the rhythm and melody to do part of the work; they always seemed extraneous appendages. Of course, it didn't help that he couldn't sing.
the attitudes that got the guy in trouble when drunk are just as much in evidence when sober.
volume "Later Poems, Selected and New, 1971-2012," including a handful of poems written in the last months of her [Adrienne Rich's] life such as "Endpapers" (included here). It is the culminating chapter in a career that began more than 50 years ago when she first emerged in the 1960s as one of the few women writers willing to address the systematic subjugation of women in American culture. Particularly influential was the 1976 treatise "Of Woman Born."
of that period were, often, small temples to autodidacticism. Was this the case with [Carol Ann] Duffy's home? She shakes her head. "My father didn't read at all." He was very keen on education, but seems to have been suspicious of his daughter's literary inclinations. "My father would try to stop me writing poetry. He thought that was time wasting and I should be doing maths. He'd often take my writing off me and say, 'Get out and get some fresh air.'
Why We Need Poetry (Virago), which collects the introductions she gave to a score of great 19th and 20th-century poets at her Poetry Hour events. Each of the sharp and insightful mini-essays is accompanied by a brief selection from the poet's work.
surprise is Cara Benson's (made), a brief and spare collection (housed in an 8.5" x 5.5" production, rather than the more common 6" x 9") that condenses language into diamondic fragments that consistently bear rereading and, indeed, cast an even finer and more penetrating light with each subsequent encounter.
with her husband, received a surprise parting gift from the National Endowment for the Arts--a $25,000 creative writing fellowship.
Santa with his sleigh and the "moon on the crest of the new-fallen snow!"
by Kelle Groom with "Complex Emotions Over First American Indian Saint" an article by Sharon Otterman about Kateri Tekakwitha, a Mohawk woman born in 1656 who was canonized this past summer.
will join names including Harold Pinter, JG Ballard and Doris Lessing as winner of the Golden PEN award, for a lifetime's distinguished service to literature.
of all the dream things in this world--"minds, mountains, souls, sky, stars," and he avers that God has "transformed" His dreaming mind into all these things.
by Alden Nowlan
but appear highly unnatural. Effectively, the rabbis nullify what the Bible actually says--that Reuben slept with Bilhah--and replace it with a story entirely of their own invention. The questions I find myself struggling with are, first, why they wanted to read the Bible this way, and second, how they justified the unnaturalness to themselves. What is at stake in arguing that Reuben--and the other, greater figures who are the subjects of similar arguments, like David and Solomon--never committed a sin?
entertainments left, and it must go on delighting children all around the globe. Derek N. Otsuji lives in Hawaii, and here's his reminiscence.
for me; as for his poetry, his first book is wonderful, but after that it's a game of diminishing returns. But I think what makes those two albums great is that Cohen was willing to undermine the most spectacular poetry he'd ever written with deliberately tacky orchestration. He'd finally found a musical form that embodied a lyric he'd been working on for years (and an ethos he'd been perfecting for a half-century): "Forget your perfect offering./There is a crack in everything,/That's how the light gets in."
of Maine's most accomplished poets. In today's poem he describes the encounter with a nude in a museum painting.
They twist the words from out of your mouth
of what are very complex processes: cognition, memory, perception, emotional literacy, nurture and so on. Why do you or anyone else in government think that your job description is to rule on such matters?
that most animals possess enough signifier-processing ability to provide them with a rudimentary ability to think, and that they can feel a rich range of emotions. Until then, we have the poets--and, of course, ordinary pet-owners everywhere--to remind us of our kinship with those to whom we once supposed ourselves to be the divinely-ordained superiors.
As befits ecological writing, Place is shot through with intensely lyric celebrations of the natural world: "It is October once again/as it must be. The new brightness/and again gold lays down on them/the tight roles of hay/the long rows the cut fields." This is from "Treadmill", a poem of "harvest" in which death the harvester is "your dance partner".
of poems, "Another Word for Love," is profoundly grounded in Riverdale--in its subway stations and parks, buildings and streets. The first of the two poems featured today, "Morning Prayer," takes place on the streets of the neighborhood, and features a curious juxtaposition of spiritual experiences, genders and visions. The second piece, "Reentry," is an homage to exceptional character, evoked so vividly that he practically walks (or rather, waddles) off the lines of the poem.
By Megan Fernandes
with Emily Dickinson, whose understanding as well of how much is done for us by nature in the recollection as well as the fact of it, is expressed so eloquently, and elegantly, in his captivating, concluding stanza, at once lamentation and commendation.
The Post-Bulletin, Rochester MN
Poem Written On The Wall In An Ascending Space Capsule
who died in 1995, collaborated on scholarly conferences on William Carlos Williams. Mr. Dollar lectured extensively about the senior Williams and served on the committee that converted Rutherford's old Rivoli Theatre to the Williams Center for the Arts.