to show that the contemporary poem, of Kinnell and Levine and Ashbury, "is not spontaneous utterance spoken directly out of actual experience, but rather a deliberate and artful form of creating the illusion that spontaneous utterance is spoken directly out of actual experience, because its main aim is pathos and the convention that pathos seems to demand is the personal voice and loosened form and structure."
from On the Seawall: Leonard Nathan, 1924-2007
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