January 25th Poetic Ticker Clicking
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That article on Laurie Byro is then followed by one on Margaret Griffiths, or Maz, or grasshopper, as she was known on line. This story is an extraordinary one of posthumous publication of poems the poet did not keep on file, a sort of reverse Emily Dickinson. Our next article is about our Great Regular David Biespiel, who was also IBPC's Spring 2006 judge.
take on the mantle of Scotland's national poet, following the death of the only previous "Makar", Edwin Morgan, last year.
County Derry, Northern Ireland. His first collection, Death of a Naturalist (Faber) was published in 1965, and since then he has published nearly 100 books, including District and Circle (Faber, which won the 2006 TS Eliot Prize) and Sweeney Astray (1984). Heaney was Professor of Poetry at Oxford from 1989 to 1994, and in 1995 he received the Nobel prize for literature. He won the 2010 Forward prize for best collection for Human Chain.
[Kelly] Cherry said she would like to focus on senior citizens, although she’s not sure precisely how she’ll do this — perhaps with readings at nursing homes, assisted living facilities or to senior groups. Mostly, Cherry hopes to reach out into Virginia’s communities, and she would like to hear from citizens on how she might do this.
as the head of circulation for the Lee Memorial Library, but the Hewitt resident just received another distinction. Byro was recently named Poet of the Decade by the InterBoard Poetry Community (IBPC).
vast swathes of her work, they scoured the web, retracing her online footsteps to retrieve as much of it as possible.
calls the "draft and revise" method. Most writers imagine a piece they want to write, draft it, then polish and revise it without straying far from the first vision. Eschewing this routine, Biespiel cautions: Avoid the first draft for as long as possible. It commits you to an immature vision of the piece. He writes about longing for "a method that allowed me to blur and get lost in a contained sort of writing reverie."
place in a future world where young people from less advantaged backgrounds may baulk at the idea of taking on tens of thousands of pounds of debt for the pleasure of spending three years at university in the company of the Romantic poets? "Yes there will be all kinds of challenges down the line. If I can lend my voice to the idea that creative writing is not some sort of frivolous endeavour but a robust subject with high values and produces high calibre work--I want to be part of that debate," he says.
For a bridge suicide
sexual subjugation too. Ms. [Meena] Kandasamy's poems are informed by a sense of gender relations that suggest being a woman in a largely patriarchal society is another form of being lower caste.
it as one of the best 'secret' things to look out for in London. Within two weeks Network Rail had painted it over whilst 'cleaning' up the tunnel. A huge press outcry followed. The story was covered in The Guardian, The Spectator, Time Out, The Evening Standard, and Poetry News and was even given a ten minute slot on Canadian Radio.
"Epistolary" you might find the following definition from wikipedia helpful: "An epistolary novel is a novel written as a series of documents. The usual form is letters, although diary entries, newspaper clippings and other documents are sometimes used. Recently, electronic "documents" such as recordings and radio, blogs, and e-mails have also come into use. The word epistolary comes from the Latin word epistola, meaning a letter."
that each hand that writes writes differently, because "the universe induces/a different tremor in every hand." He offers as examples the widely contrasting "check-forger" and the Chinese "Emperor/Hui Tsung, who called his own calligraphy/the 'Slender Gold.'"
as a reincarnation of an enlightened being, but the system of recognizing someone as Tulku or Lama does not exist. In Tibet, the first ever reincarnation was recognized after a little child who clearly remembered his past life and which was proved to be true. Later on, this system slowly and gradually nearly became a class structure in society. Because of this I have made it well known that there is a difference between Tulku and Lama. A Lama need not be a Tulku and a Tulku need not be a Lama or one could be both Lama and Tulku. The one who is qualified as a result of one's own study and practice is known as Lama. A Tulku, even without such a standard of education, enjoys status in society in the name of the former Lama. And there are many who lack the Lama's qualification and even bring disgrace. So I used to say since some forty years ago that there needs to be some system to regulate the recognition of Tulku. Otherwise it is not good to have many unqualified ones.
("The Best of It") and prize-winning poet-translator Anne Carson ("Nox") were poetry finalists, along with Kathleen Graber's "The Eternal City," Terrance Hayes' "Lighthead" and C.D. Wright's "One with Others."
by Daniel Anderson
said that, in his subjects, he kept the joy of discovery, the pleasure of the unexpected. In this poem celebrating Picasso, Tim Nolan, an attorney in Minneapolis, says the world will disclose such pleasures to us, too, if only we pay close attention.
second language can provide us with a new self? On the evidence of Katherine Russell Rich's Dreaming in Hindi (Mariner; $14.95), immersion in another language results in moments of seeming "possession" by it. While less ecstatic, Deborah Fallows's Dreaming in Chinese (Walker; $22) is also a story about how learning a language permitted her to inhabit more thoroughly an alien culture. You could say that sympathy and possession are weak and strong forms of the same outcome--a change of mind following mimeticism.
the Muses are truly subversive. "Lovely"--a word often condemned for being sentimental--is repeated emphatically by the translator, the Oxford archaeologist Hugh G. Evelyn Wright. (More Indiana Jones than dusty academic, he was present with Lord Carnarvon at the discovery of Tutankhamen's tomb and was one of the first to gaze upon the prince's mummy, wrapped within its golden sarcophagus.)
doesn't merely depend on that drama of where and when it [Chidiock Tichborne's "Elegy"] was composed. In that time of religious passion in all its ugliness, those violent energies don't drive the poem, either. The energy of the poem comes from a certain way of thinking and writing: an explosive intensity of focus, the ability to illustrate a dire situation with a series of compact metaphors, repeating the idea of early death while varying it just enough with each new figure of speech to concentrate the momentum by another degree.
of the subsequent metaphors, lies an acknowledgement that the intense imaginative work of desire distorts and constricts, while intuition tells us it liberates and enlivens. Because that very acknowledgement is allowed into the poem, it seems that the art of balance striven for in the opening lines has been achieved, and that the clear air of reason circulates between the layers of rich poetic imagination.
"The Thrift Shop Dresses" and a 2010 "Modern Love" essay, "In Grief, a Mother and a Wife Bond."
that "the Earth is going to keep heating up," but he seems pretty sure we should care enough about it to do something about it.
we feature the work of Jim Russo who was born in North Beach. He moved to Santa Cruz County in 1963. As a former actor, he likes to write words that make people laugh, among other things.
They shut the road through the woods
for juxtaposition, and the poems offer a great many startlingly moments. His figures also deploy repeated, identifiable strategies. Most notable are the upending of visual perspective, the heavy use of visceral imagery, and an absurd system of psychological exchange.
have become, as the author sees it, part of the same predacious herd, driven towards self-consumption. Bitter in its lament, John Kinsella's poem is a protest against such tendencies being "quickly forgotten".
of poetry books: "A Taste of Pitch," "Thunder Lake" and "Tracings in Snow". His unique style of writing was used in the UW system to teach students the art of describing images in nature and moments in time. Scott was also an artist, concentrating on beautiful landscapes.
to the arts are lauded as she was an accomplished writer and poet and most recently and actress. In December of 2010 'Parchment Pages' a compilation of her life's work in poetry and literature was launched. Recently a documentary on her life was produced by Howard University professor Steve Berry. It is entitled 'A Remarkable Woman'.
at age 17 as a trackman and transferred to the transportation department where he worked as a brakeman until his retirement. He was a survivor of the train wreck of the old 48. He was known as a poet, having written "The Wreck of the Old 48," and "The Ghost and the Boogieman," which was a true story from his youth.
died aged 98, poetry was nothing less than a way of life. Although she published several collections of her own work, most recently the retrospective Finding the Curve (2007, which I edited with Carole Satyamurti), it is as founder and organiser of the St Albans group Ver Poets that she will be best remembered.
"Meadow Measure" won first place in 2007 in a Poetry Council of North Carolina contest. More of his poetry is published on www.clevemathews.com.
of family life in small Southern towns, he [Reynolds Price] won the William Faulkner Award for his first novel, "A Long and Happy Life" (1962), which introduced the saga of the Mustian family. Over the next five decades he produced more than three dozen books of fiction, poetry and autobiography. Fourteen were novels, including the epics "The Surface of Earth" (1975) and "The Source of Light" (1981).
Soka Gakkai International, a lay Buddhist Organization, and enjoyed reading and writing Haiku and Tanka, types of Japanese poetry.
London on Dec. 27, 1930, the younger of two children of Francis Joseph Sheed, who emigrated from Australia with a background in law to become a street-corner evangelist, and Maisie Ward, a fellow Catholic Revivalist and author who was eight years her husband's senior, a descendant of a proud English Catholic family and, at six feet tall, a striking figure on the streets of London.
large rolls of paper tacked to the wall, reminisced and watched a slide show of Mr. [Tajeme] Sylvester's photos, some from a trip to Peru, and his poetry, much of which centered on themes of self-awareness and spirituality. (His father, Everton Sylvester, a poet who performed with the ensemble Brooklyn Funk Essentials, said his son would often e-mail him drafts of his poems, seeking comments. A couple were awaiting a reading at the time he was killed.)