these events on television, after their "processing" (has the door already opened and shut as they pass through?), and doing so they come to learn their own remoteness from them--learn, in effect, to let go. Yet there is nothing sensationally grotesque about this. Instead, there is only the "limiting candour" that [Thom] Gunn has described elsewhere, in a poem that also looks down on the world, viewing it from an airplane over the Pacific Ocean: "a cold hard light without break/that reveals merely what is".
Death's Door
from The Times Literary Supplement: Poem of the Week: Death's Door
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