intrepid sass and admirable panache can rescue a handful of half-baked conceptualizations that would have been better served following an extended back-burner simmering. Readers devouring brave new waves of words at a heady pace will resent, if only slightly, the glaringly odd low note failing to adequately justify a sprinkling of jarring anti-social, anti-anti-social and anti-narratological narrators who, apparently, eschew rising to the occasion in favour of stooping to conquer.from Judith Fitzgerald: The Globe and Mail: Experimental stories zap modern madnesses
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