came out from the Ceolfrith Press in 1970, followed by two collections from Taxus Press, Cracknrigg (1983) and Hinny Beata (1987), and two collections from Bloodaxe Books, Marra Familia (1993) and Lammas Alanna (2000), to which he added his own lettering and artwork. The beauty of these books is an expression of Bill's underlying concern as a poet, to restore the collective symbols, releaf the ikons with gold.from The Guardian: William Martin obituary
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