Tuesday, December 21, 2010

News at Eleven: Richard Wilbur was talking about

a subject he knows well--writing poetry. "I always know whether what I've done is good enough to print," he said. "If it's not, I set it aside or throw it away."

There was no setting aside or throwing away when he finished "The House." Written in memory of his wife, it is the opening poem in "Anterooms," a new book of poems and translations by Wilbur.

from Amherst Bulletin: On time and love: At 89, poet Richard Wilbur navigates life's currents in new collection

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News at Eleven: "Today we celebrate the launch

of the fourth session of the classical Arabic poetry program", said [Mohammed Khalaf Al] Mazrouei, adding that the "program has enjoyed the participation of more than 7000 poets from thirty Arab and foreign countries, all competing to be candidates."

The 'Prince of Poets' program has attracted huge audiences, who enthusiastically tune in to follow Arabic poets that had previously been overlooked by the media.

from Middle East Online: Abu Dhabi launches fourth session of 'Prince of Poets'

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News at Eleven: Specificity and placeness play

major roles in Heart Turned Back. The poet as naturalist turns her observations into meditations. Her surroundings have not washed over her. She wears them like beads of water, pollen. In some ways she does what bees do, she pollinates things and so becomes part of a propagating cycle. It could be said this is what poets do. Having said it, I would want it understood it "s Bertha Rogers's poems that prompt me.

from The Student Operated Press: Bertha Rogers's Poems Have a Viking Energy and Great Emotional Intelligence

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News at Eleven: Poetry and prose on the subway

may be going the way of the dodo. As The Times reported Tuesday morning, the Train of Thought series, which placed literary quotations from the likes of Kafka and Schopenhauer in the unlikely locale of a packed New York City subway car, is being removed to make way for a promotional campaign by the Metropolitan Transportation Authority.

from The New York Times: Reflections on the Literary Decline of the Subway

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News at Eleven (Back Page): So to come upon a place

like Naropa University, where poetry is written and read and listened to and discussed, is a delight. And then to get a tour of Naropa's Harry Smith Print Shop, where verse is lovingly printed--with old metal type and antique presses, yet--well, it's both Disneyland and Dollywood for dactyl addicts, an enchanted kingdom of fonts and figures.

from The Chronicle of Higher Education: A Letterpress Shop Survives, Printing Poems in the Era of YouTube

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Great Regulars: Well, I began, of course,

as a poet, but the power of rock 'n' roll, rock 'n' roll was really the canopy of our cultural voice, and especially in the '60s, late '60s and early '70s, and our rock stars, the people who were building that voice, whether it was John Lennon or Neil Young or Bob Dylan, whoever it was, they were infusing politics and political ideology, social justice, sexual energy, poets all within the canopy of rock 'n' roll and striving to make this a universal language. [--Patti Smith]

from Jeffrey Brown: PBS: Newshour: Conversation: Patti Smith

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Jeffrey Brown: Now, rap can be rough, and it is certainly often profane. But Bradley and DuBois say it offers what poetry always has: rhythm, complex rhyme schemes, allusive and metaphoric language.

As rapper Lauryn Hill put it once in a song: "I treat this like my thesis, well-written topic broken down into pieces. I introduce, then produce words so profuse."

from Jeffrey Brown: PBS: Newshour: Anthology Traces Rap's Lyrical Journey, Poetic Roots

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Great Regulars: These are midlife poems

[in Jane Munro's Active Pass], pensive reflections on loss and having to let go of places and people. They contemplate short-lived happiness and lingering sorrow. Yet they are threaded through with a calm energy and resolve, not regret and resignation. The reader feels buoyed up rather than weighed down.

from Barbara Carey: Toronto Star: George Murray and Jane Munro

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Great Regulars: The following poem is part

of a new collection titled Low Down and Coming On: A Feast of Delicious and Dangerous Poems About Pigs. Edited by James Lenfestey, the concept for the collection came from the late poet Bill Holm.

[by Robert Hedin]

Tornado

from Marianne Combs: Minnesota Public Radio: State of the Arts: Minnesota Poetry: Robert Hedin's "Tornado"

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Great Regulars: The oldest of our carols date

from the 15th century and 'give voice to the common emotions of healthy people in language that can be understood'. I hope that by this time next year some of these sparkling new poems for carols will have been set to music. On behalf of all the poets here to you, their readers, I wish you a very happy Christmas. Carol Ann Duffy

The Bee Carol
Carol Ann Duffy

from Carol Ann Duffy: Carols for Christmas

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Great Regulars: I've been for the past two

New Year's Eve events: last time, in the general excitement, [Patti] Smith actually forgot to announce the New Year--a minor detail, soon rectified.

This year, she will come before us as a prize-winning author, winner of the National Book Award for her memoir of early days in Chelsea with Robert Mapplethorpe. She has morphed over the past few years into a Living National Treasure.

It is extremely interesting to me to see how this is achieved, and how this small frame of a person can still generate the volume and rhetoric to whip up the faithful audience yet again.

from James Fenton: The London Evening Standard: The enchanting magic of a New York Christmas

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Great Regulars: Thus, sans façon,

it gives me great pleasure to offset the unfathomable sorrows endured by each and every friend and family member whose precious children elected to selflessly serve our country by dedicating this humble bloggadociotica to our fallen (but never forgotten) heroes, with a versifying boost from a talented group of youngsters displaying their smartuitive sensitivity and inspiriting insights in the following sampling of prize-winning entries:

Message in the Rain

from Judith Fitzgerald: The Globe and Mail: In Other Words: Windsor Book fest and the Canadian poets of the future

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Great Regulars: The speaker in Richard Lovelace's

"To Althea, from Prison" dramatizes the nature of inner freedom. As the title suggests, the setting from which the speaker muses and composes his drama is a prison cell, where he is being held as a political prisoner.

In 1642, the poet, Richard Lovelace, one of the Cavalier Poets, was imprisoned at London's Gate House. During his seven weeks of incarceration, he wrote the poem, "To Althea, from Prison".

from Linda Sue Grimes: Suite101.com: Richard Lovelace's To Althea from Prison

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(New to) Great Regulars: But [Samuel] Menashe's poems

have definitely run against the grain of modernism or postmodernism. Short, tightly compressed and rhymed, they recall the intensity of William Blake's lyrics, and draw on a common source, the Bible. Some are midrashic, in the direct sense that they comment on biblical texts, including a recent verse published in The Hollins Critic that's short enough to quote here:

In the Beginning

from Rodger Kamenetz: The Arty Semite: The Consolations of Samuel Menashe

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Great Regulars: At My Brother's Place

by Michelle Boisseau

The TV set whose picture works rides on top

from Garrison Keillor: The Writer's Almanac: At My Brother's Place by Michelle Boisseau

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Here I Am, Lord
by Michael Chitwood

The ribbed black of the umbrella

from Garrison Keillor: The Writer's Almanac: Here I Am, Lord by Michael Chitwood

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Noël
by Anne Porter

When snow is shaken

from Garrison Keillor: The Writer's Almanac: Noël by Anne Porter

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Song and Dance
by Jonathan Greene

At the mall

from Garrison Keillor: The Writer's Almanac: Song and Dance by Jonathan Greene

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Walking Beside a Creek
by Ted Kooser

Walking beside a creek

from Garrison Keillor: The Writer's Almanac: Walking Beside a Creek by Ted Kooser

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Weekends, Sleeping In
by Marjorie Saiser

No jump-starting the day,

from Garrison Keillor: The Writer's Almanac: Weekends, Sleeping In by Marjorie Saiser

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Winter-Worship
by Charles Wright

Mother of Darkness, Our Lady,

from Garrison Keillor: The Writer's Almanac: Winter-Worship by Charles Wright

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Great Regulars: This poem is from the third section

of Silver Roses, which is the most painful part to read precisely because it is the most hopeful. This group of poems chronicles the happy, complicated growth of a new romance, and their real subject is [Rachel] Wetzsteon's ambivalence about happiness. Loneliness and the longing for companionship are one of the constant themes of her work; in art and life, Wetzsteon makes clear, she has grown accustomed to melancholy, and knows how to make use of it.

from Adam Kirsch: Tablet: Final Verse

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Great Regulars: This is our 300th column,

and we thank you for continuing to support us. I realized a while back that there have been over 850 moons that have gone through their phases since I arrived on the earth, and I haven't taken the time to look at nearly enough of them. Here Molly Fisk, a California poet, gives us one of those many moons that you and I may have failed to observe.

Hunter's Moon

from Ted Kooser: American Life in Poetry: Column 300

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Great Regulars: [by E. Ethelbert Miller]

I Remember Loretta Young

(For Enid Miller)

I am holding my mother's death certificate.

from E. Ethelbert Miller: E-Notes: I Remember Loretta Young

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Great Regulars: One of China's 'most promising'

young poets has not returned after being forcibly detained ahead of Human Rights Day.

A prominent young poet from the southwestern Chinese province of Guizhou has yet to return after being taken from his home last week by authorities, a fellow poet in Germany says.

Germany-based poet Xu Pei, who appeared in a cage at the 2009 Frankfurt Book Fair to protest the Chinese government's detention of writers, said that Wang Zang was among those targeted by police in the clampdown on members of the Guizhou Human Rights Forum last week.

from Luisetta Mudie: Radio Free Asia: Guizhou Poet 'Still Missing'

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Great Regulars: This Christmas, the poem

would make an ideal gift for a son or daughter, or niece or nephew, who may have discovered Middle Earth, Narnia, or Hogwarts but none of their literary antecedents. Or maybe curl up with a copy yourself. Within a few moments, you will be plunged into a world of magic and rugged adventure--and reminded of such virtues as generosity, friendliness, chastity, chivalry, and faith.

Written in the late 14th century, the authorship of Sir Gawain and the Green Knight remains unknown.

from Christopher Nield: The Epoch Times: The Antidote--Classic Poetry for Modern Life: A Reading from "Sir Gawain and the Green Knight"

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Great Regulars: In an apparently logical,

somewhat lawyerly opening argument, with its energetic triple ifs, Donne puts aside his sense of awe, allowing it to reappear only in his ninth line ("But who am I, that dare dispute with thee/O God?"), a little bit as though he has only just recalled it, interrupting his own eloquent, logic-chopping arguments and rhetorical questions:

If poisonous minerals, and if that tree,

from Robert Pinsky: Slate: Nearer, My God, to Thee

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Great Reulars: This week's poem, "Shadows in the Water,"

is by one of the lesser-known metaphysicals, Thomas Traherne. Belonging to the distinguished company of poets who publish none of their verse, Traherne's might have been forgotten altogether but for the accidental discovery, in the late 19th century, of a collection on sale for a few pence at a London bookstall. Luckily, the poems' buyer was the clergyman and literary scholar Alexander Grosart: less luckily, he attributed their authorship to Henry Vaughan.

from Carol Rumens: The Guardian: Books blog: Poem of the week

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Great Regulars: This week's pairing: the poem

"Eating Them as He Came" and The Times's article "Records Fall as Snow Blankets East Coast," from last December.

from Katherine Schulten: The New York Times: Poetry Pairing: Dec. 16, 2010

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Great Regulars: October the Day

by John Timpane

October, the day,

from John Timpane: The Philadelphia Inquirer: October the Day

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Great Regulars: Here, in alphabetical order

by title, are the 10 books that, over the last 12 months, most moved, inspired or beguiled me: my favorite books of 2010.

from David L. Ulin: Los Angeles Times: David Ulin's favorite books of 2010

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Great Regulars: In other words, memory

does not merely record. It shapes, and in doing so arrives at a more accurate representation of ourselves than mere facts could ever provide.

from Frank Wilson: When Falls the Coliseum: That's What He Said: The artistry of memory

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Great Regulars: [by B.R. Strahan]

The Sound of Snow

It's so very quiet

from The Christian Science Monitor: The Sound of Snow

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Great Regulars: Eve

by Farzana Ahmad

I charted rivers of light on that dark continent,

from CounterPunch: Poets' Basement: Three by Farzana Ahmad

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Great Regulars: Editor's note: In this week's Poetry Corner,

we feature the work of Nicole Cooley, who grew up in New Orleans. "Milk Dress," published by Alice James Books (alicejamesbooks.org), which these poems were selected from, is her fourth book of poems. Cooley directs the MFA program in Creative Writing and Literary Translation at Queens College--City University Of New York. She lives outside New York City with her husband and two young daughters.

from Good Times Weekly: Poetry Corner: The Poems of Nicole Cooley

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Great Regulars: Snake Story

by Albert Abonado, December 2010

In the field: the seven-ish pieces

from Guernica: Poetry: Snake Story

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Great Regulars: By Timothy Donnelly

)))) Listen

After knowledge extinguished the last of the beautiful

from PBS: Newshour: Weekly Poem: 'The New Intelligence'

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Great Regulars: By Debi Neville

Didn't I just take down the tree only a few days ago?

from Post-Bulletin: Poem: Where did the time go?

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Great Regulars: Silver Roses is Rachel Wetzsteon's

last book of poems in several senses: it is both her most recent, and, sadly, her final collection, as she died by her own hand in 2009.

A suicide has coercive effects on survivors, and the self-extinction of a poet threatens to shape the reading of the work retroactively, to mold the feints, by-ways, and multiple impulses of an oeuvre toward a single, fatal design.

from Powells: Review-A-Day: The Joy That Snuck Up

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Great Regulars: for Daniel Tamez, M.D.

By Diane Gonzales Bertrand

So grieved

from San Antonio Express-News: Poetry: 'Holding Patterns'

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Great Regulars: "Dublin Night"

By Alfred Corn

from Slate: "Dublin Night" By Alfred Corn

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Great Regulars: [Marianne] Moore counselled that

"too stern an intellectual emphasis on this quality or that detracts from one's enjoyment". The tourist must not think too much, as Parisians do, if she is to appreciate the variety of Italy, although the mind and the heart's active participation is required to make something of the sometimes unpromising material. Being spoilt for choice allows Moore to show off both her breadth of vision and her accuracy of gaze.

The Web One Weaves of Italy

from The Times Literary Supplement: Poem of the Week: The Web One Weaves of Italy

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Great Regulars: [by Angela Skepper]

Increased spending, getting in debt.

from West Sussex Gazette: Poem of the Week: Christmas

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Poetic Obituaries: Denise [Capece] enjoyed reading

and writing poetry and several of her poems were published by Welcome Home Publishing, LLC.

from Herkimer Telegram: Denise (DeLucco) Capece

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Poetic Obituaries: [Marion Chapman] always made

you smile with her wit and the wonderful poems she wrote.

from Manchester Evening News: Marion Chapman

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Poetic Obituaries: [Debra] Davis also had an

infectious love of writing and a knack for penning the perfect poem for any occasion, [Audrey] Staniszewski said. A writer and poet, Davis was a founding member of the Denton Poets' Assembly.

"Any child that left her room could verbalize not only her love of writing, but their love of writing because of Debby," Staniszewski said.

from Denton Record-Chronicle: Teacher dies after accident on Mingo

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Poetic Obituaries: [Marce Estlack] wrote beautiful poetry,

stirring prose, played a foot-stomping jazz piano and danced with the abandon of those who were born with a dancer's legs. She loved a joke and had a laugh that demanded you laugh with her.

from Kiowa County Signal: Marce Estlack dead at 88

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Poetic Obituaries: "He had a remarkable memory for literature

and could quote reams not just of poetry but prose. He was a complete stickler for grammar and spelling--and precision in journalism--he couldn't bear sloppy writing. When he covered books awards he read all the shortlisted books from cover to cover--and the results often confirmed his dark suspicions that this was more than the judges managed," [Maev Kennedy said of John Ezard.]

from The Guardian: Guardian writer John Ezard dies aged 71

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Poetic Obituaries: [Jeanne Grant] was a published poet

and author and actively supported civil rights organizations throughout her life.

from Columbia Daily Tribune: Jeanne Grant, 1915-2010

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Poetic Obituaries: In addition to writing poetry,

Gene [Malone] loved to play golf and the odds on an occasional pony at the race track or OTB parlor.

from The Photo News: Eugene F. Malone

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Poetic Obituaries: Nicole [A. Martin] loved music,

she liked to write lyrics and had a gift for writing poetry, another passion was playing basketball.

from Saugerties Post Star: Nicole A. Martin

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Poetic Obituaries: Among the artists

with whom he [Enrique Morente] collaborated are the Spanish rock band Lagartija Nick, the Algerian singer Cheb Khaled, the Madrid Symphony Orchestra, the Bulgarian women's choir Angelite, and Senegalese and Cuban musicians.

His recordings include "Omega," which incorporates lyrics by the Spanish poet Federico GarcĂ­a Lorca and music by Mr. Cohen, the Canadian singer-songwriter.

"I've always liked all extremes," Mr. Morente told The Chicago Sun-Times in 2005. "I am not afraid to take risks within traditional flamenco.

from The New York Times: Enrique Morente, Celebrated Flamenco Singer, Dies at 67

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Poetic Obituaries: [Meirion Pennar's] translations of Taliesin poems

and The Black Book of Carmarthen were well received and remain in print.

He published two volumes of poetry, Syndod y SĂªr and Pair Dadeni, and two long poems, Saga and Y Gadwyn.

from BBC News: Poet and Welsh works translator Meirion Pennar dies

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Poetic Obituaries: [Betty Ann Smith] was very involved

in the community and was a huge supporter of the arts. Over the years she was involved with Muscatine League of Women Voters, Foster Care Review Board, Muscatine Arts Council, Writers on the Avenue Poetry Association, Muscatine Community Y, Muscatine Symphony Orchestra, the Early Childhood Education Commission, and also served on many committees and helped with many events at Grace Lutheran Church since 1964.

from Iowa City Press Citizen: Betty Smith, 71

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Poetic Obituaries: At a time when it was unusual

for a woman to continue her education beyond finishing school, Beth [Allen Straus] was not only permitted to attend college--she was expected to. She graduated Phi Beta Kappa from Stanford in 1938 with a degree in English literature and poetry.

from Fenceviewer: Elizabeth (Beth) Allen Straus

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Tuesday, December 14, 2010

December 14th Poetic Ticker Clicking

News Article Tape:
Blog Entry Tape:

December 14th forum announcement

Dear Poetry Aficionados,

Poetry & Poets in Rags blog

Our first clutch of article links are about Liu Xiaobo, who was not able to pick up his Nobel this past week, nor was anyone close to him able to. Luisetta Mudie has translated more articles on Liu Xiaobo, and you will find them in the Great Regulars section.

But here I am typing this early in the morning, as the clock nears 1:00 AM. I had to clear Tuesday out for other things. What is missing from our Great Regulars section are those articles that come out on Tuesdays, such as Frank Wilson's That's What He Said, Adam Kirsch's column in Tablet, and the weekly poem from Slate. So use the links above to find them.

Thanks for clicking in.

Yours,
Rus

Our links:

IBPC: Poetry & Poets in Rags

Poetry & Poets in Rags blog

IBPC Home

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News at Eleven: Words a Cell Can't Hold

By Liu Xiaobo
Published: December 8, 2010

from "Experiencing Death"

I had imagined being there beneath sunlight

from The New York Times: Words a Cell Can't Hold
then Reporters Without Borders: Nobel Peace Prize--universal tribute to freedom of expression
then The New Yorker: Beijing and the Nobel Ceremony
then The Daily Telegraph: Nobel Peace Prize: the life and work of Liu Xiaobo
then Reuters: Jailed Chinese dissident awarded Nobel
then Star Tribune: Graywolf will publish poems by Chinese Nobel winner

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News at Eleven: Here's more from the donation site:

"Dean has been placed on the transplant list at Seton Medical Center Austin, and has just been upgraded to a very critical category. He's got to get a heart soon, or go to intermediate drastic measures like a mechanical external pump. Whatever the scenario, the financial expenses, both direct and collateral, will be massive. Yes, he has sound health insurance, but even so, he will have enormous bills not covered by insurance--which is where you can help, with your financial support."

from GalleyCat: Poet Seeks Help with Heart Transplant Medical Bills
then National Foundation for Transplants: Dean Young--Austin, TX

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News at Eleven: We can't talk about America today

without feeling that the ghost of Whitman is sitting next to us, particularly when you are dealing with so-called minority or ethnic literature. In the 19th century, Whitman was receptive to the idea of multitudes--a country that is made of many countries. He looks at New York City as a metaphor for the rest of the country, and that New York City is a symphony of voices, of backgrounds. In particular, when it comes to poetry, there are a lot of Latino writers that view him as a godfather, or even as a compadre. William Carlos Williams, MartĂ­n Espada, and Jimmy SantĂ­ago Baca, for instance.

from Smithsonian: What Defines Latino Literature?

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News at Eleven: Compared to the allegory

which often characterizes poetry of the middle ages, this imagery can be surprisingly modern.

Brigit Pegeen Kelly, for example, uses this imagery in her translation of this Anglo-Saxon maxim:

Frost must freeze, fire melt wood,
earth bear fruit, ice build bridges,
and, most wonderful, water put on a glass helmet
to protect the earth's sprouts.

from Bookslut: The Word Exchange: Anglo-Saxon Poems in Translation edited by Greg Delanty and Michael Matto

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News at Eleven: One is not surprised to learn

that [Andrew] Marvell even worked as a low-level spy, at times in disguise--an apt employment for a man whom Mr. [Nigel] Smith characterizes in his subtitle as "the chameleon."

If Marvell's survivalist instincts brought out a slyness in the life and an ambiguity in the art, he was nevertheless loyal to Milton, lobbying for parliamentary support for his friend, who had fallen into disfavor after the Protectorate ended.

from The Wall Street Journal: The Passions of a Poet

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News at Eleven: Through his poems, [Stanley] Kunitz

searched for meaning in elements of his life that had consistently haunted and driven him; through an expert use of language, he tried to illuminate purpose and intimate perspectives on life-depicting both what is known and unknown to display the confusion of human experience.

Although his initial offerings were not highly regarded, Kunitz' later collections received critical praise, and as is so often the case with the high art, his earlier works also received due attention retro-actively.

from The Racquette: Stanley Kunitz: U.S. Poet Laureate and Potsdam professor

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New at Eleven: [James Allen] Hall and [Christopher] Kennedy

apply for writing grants often and are grateful and relieved to receive the award money.

"The grant is designed to support artists as they make art," Hall says. "You don't write poems because you want to be a millionaire."

"Whether you're at the beginning, middle, or toward the end of your career, anything that helps you financially is going to give you time to write that you wouldn't have otherwise," Kennedy says.

There's more to the NEA fellowship than just money, though. Both poets agree the national recognition can be just as valuable.

from The Post-Standard: Two Upstate poets win $25,000 NEA Creative Writing Fellowships in Poetry

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News at Eleven: Two Merrimack Valley High School students

are accused of threatening to kill the school principal, an assistant principal and a police officer with a 12-gauge shotgun in a poem they wrote while serving in-school suspensions.

from The Manchester Union Leader: Police: Students' poems may mean jail time

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News at Eleven: [Lucille] Clifton's contribution,

"cruelty," makes no mention of the earthquake, but describes killing roaches without pause: "i took a broom to their country/and smashed and sliced without warning/without stopping and i smiled all the time i was doing it." The consequence of this sudden and final disruption, writ small, is a sort of impersonation of an earthquake's caprice: "now i watch myself whenever i enter a room./i never know what i might do." Elsewhere, poets invoke a landscape changed and uprooted--dusty, waterbound, and awash in strange new geometries.

from Mother Jones: Saving Haiti With . . . Poems?

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News at Eleven: [Chinua] Achebe's decision to write

in English has been a source of debate since the beginning of his career, with writers such as the Kenyan author Ngugi wa Thiong'o criticising his use of the colonial language. In 1965 Achebe wrote: "I feel that the English language will be able to carry the weight of my African experience. But it will have to be a new English, still in full communion with its ancestral home but altered to suit its new African surroundings." It is a position that he has, broadly, stuck to, although he also points out that some of his best poetry has been first written in Igbo.

from The Guardian: Chinua Achebe: A life in writing

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