and public anxiety to the show, Othello's stricken cry and [Wilfred] Owen's deliberate artistic morality.
Eleanor Clark, whom "Cradle Song" addresses, was the young left-wing American writer with whom [Louis] MacNeice had been in love since 1939 (and in whose company he felt, as he reported in one letter, "timelessly happy").
from The Times Literary Supplement: Louis MacNeice from cradle to grave
also The Times Literary Supplement: Then and Now
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