Most poetry is "formal" in that way.
And I think, secretly, that my poems actually do rhyme. It's just that the rhyme is what I would call "conceptual," that is, not made of sounds, but of ideas that accomplish what the sounds do in formal poetry: to connect elements that one wouldn't have expected, and to make the reader or listener, even if just for a moment, feel the complexity and disorder of life, and at the same time what Wallace Stevens called the "obscurity of an order, a whole."
from Los Angeles Times: Off The Shelf: Finding the pieces that turn writing into poetry
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