the illustration is not something extra, however admirable, like Quentin Blake's illustrations for Roald Dahl. And the problem was that our anthology produced the words only, not the original plate.
No plate, no poem, I said. My colleagues, being intelligent and agreeable, if pragmatic, rather agreed. Bring a copy of it in, they said, show it to your seminar group. And the departmental lecture on Songs of Innocence and Experience will use it too. What are you, some sort of fundamentalist?
from The Guardian: William Blake brought me face to face with my literary fundamentalism
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