Tuesday, August 21, 2012

Great Regulars: One of my favorite poems is by Ruth Stone,

about eating at a McDonald's, and I have myself written a poem about a lunch at Arby's. To these fast-food poems I now propose we add this fine one about IHOP, by Christine Stewart-Nuñez, who teaches at South Dakota State University.

Breakfast for Supper

from Ted Kooser: American Life in Poetry: Column 387

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Great Regulars: [by E. Ethelbert Miller]

Time Travel

We look at Blacks

from E. Ethelbert Miller: E-notes: Time Travel

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[by E. Ethelbert Miller]

There Are No Saints Only Lovers

I need someone to take my body

from E. Ethelbert Miller: E-notes: There Are No Saints Only Lovers

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[by E. Ethelbert Miller]

Tremors

When we can no longer walk

from E. Ethelbert Miller: E-notes: Tremors

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Great Regulars: The speaker goes on to describe his vision

of a beautiful garden. He looks in vain for an entrance to this enchanted place; walking around he sees the outside walls depicted with frightening paintings of Envy, Avarice, Poverty, and Old Age.

Suddenly, a beautiful maiden lets him inside, through a tiny gate.

from Christopher Nield: The Epoch Times: The Antidote--Classic Poetry for Modern Life: A Reading From 'The Romance of the Rose,' Translated by Chaucer

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Great Regulars: Love, jealousy, dread are transformed

by candor and precision in "Before the Birth of One of Her Children." The poem [Before the Birth of One of Her Children" by Anne Bradstreet] proceeds from dignified, slightly stiff acknowledgements of the great, generic truths of mortality. The application of those truths to the risks of childbirth in the 17th century gains force from the poet's quiet, in a way pragmatic manner of dealing with the known and the unknown.

from Robert Pinsky: Slate: A Taste for Plainness

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Great Regulars: [by Fred Voss]

After working 32 years in machine shops I find myself wishing

from Jody Porter: Morning Star: Well Versed: Fred Voss--All It Needs Is Some Grease

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Great Regulars: It's the absurdity and dishonesty of the

judgment that recall Brodsky's trial, and also the fate of Irina Ratushinskaya, viciously punished, in part, for poems expressing her Christian beliefs. How horrible to find that, post-perestroika, rampant capitalism and artistic repression are somehow able to cohabit. Pussy Riot have explained that their protest was not primarily against religion but against the Russian Orthodox Church's support for Putin. The lyrics they wrote for Punk Prayer bear out the truth of this claim.

Punk Prayer, English version by Carol Rumens

from Carol Rumens: The Guardian: Poem of the week: Pussy Riot's Punk Prayer is pure protest poetry

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Great Regulars: Go Back Where You Came From

by Daniel Marlin

from CounterPunch: Poets' Basement: Three Poems by Daniel Marlin

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Great Regulars: Album

By Stephen Knight

from The Guardian: The Saturday poem: Album

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Great Regulars: Envoi

By Sandra Lim
August 15, 2012

Lazarus woke to the miracle of no longer fearing failure.

from Guernica: Poetry: Envoi

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The Fate of the Saints
By Roy Bentley
Agust 15, 2012

Under duress, who wouldn't relinquish whatever

from Guernica: Poetry: The Fate of the Saints

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Great Regulars: One strategy she [Tess Taylor] used was

coming up with the germ of her poem ahead of time. "I had just come back from a week of vacation where I happened to be reading Walt Whitman's Memoranda During the War," she explained. "He comes and explores Washington as a poet-journalist."

Whitman's words were a guide for Taylor: "I used them to sort of anchor me while everything in this world, including tweeting Martian rovers, a family that's living on Martian time--that didn't make it into the poem--everything was changing all around me."

from NPR: Newspoet: Tess Taylor Writes The Day In Verse

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Great Regulars: By Joseph Campana

Little man, I said, keep the wolf

from PBS: Newshour: Weekly Poem: 'Wolf'

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Great Regulars: By Betty Benner

The Post-Bulletin, Rochester MN

A one-room unit was enough,

from Post-Bulletin: Poem: Poem: The Day Air Conditioning Was Installed

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Poetic Obituaries: Published for the first time in 1980,

the Scranton native [Karen Blomain] would go on to compile a total of four volumes of poetry, two novels and numerous short stories as well as several plays performed in venues throughout the country.

"Karen's narratives chronicled the character and characters of the coal region," fellow local author Craig Czury said.

from Times Leader: True poet of coal region dies

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Poetic Obituaries: The woman said [James E.] Durkin was

"a great guy. He was a psychologist, he was a writer, he wrote poems. He was just a loving guy."

from San Francisco Chronicle: Psychologist slain, female friend held

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Poetic Obituaries: [John O'Leary] was educated at Trinity

College Cambridge, where he took a first, and at Trinity College Dublin, he has been Visiting Professor of Creative Writing and Irish Studies at Illinois Wesleyan University and Seattle University and has taught at numerous universities in America and Europe. He was also ran workshops at the Anam Cara Writers' and Artists' Retreat Centre in the neighbouring village of Eyeries.

from The Southern Star: Well known scholar and poet drowns in Beara

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Poetic Obituaries: [Marilyn M. Williams] was among the first teachers

hired in 1965 for the new federal Head Start program and was assigned to Valley Park.  She later taught nursery school at Eliot Chapel in Kirkwood from 1974 to 1995, where she introduced hundreds of children to the wonders of art and nature.  She was an accomplished artist and poet, and a longtime member of the St. Louis Poetry Center.

from Maplewood-BrentwoodPatch: In Memoriam: Marilyn M. Williams, Brentwood Resident

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Tuesday, August 14, 2012

August 14th Poetic Ticker Clicking

News Article Tape:
Blog Entry Tape:

August 14th forum announcement

Dear Poetry Aficionados,

Poetry & Poets in Rags blog



We begin this week in San Diego, with Javier Sicilia, the poet we have been following for a year in Mexico, as his caravan makes its first stop along its route across the United States. From there we go to Uzbekistan and take a torturous ride in an iron box with poet Yusuf Juma. From there, with Virginia's new state poet laureate Sofia Starnes, we leave from the Philippines to Spain, leaving everything behind except what can fit into one suitcase. On a week like this, Jack Kerouac is on our Back Page, with a story on how he divides men and women. Of course, that's not even half of what's in our News at Eleven section.

In Great Regulars, we welcome a new Great Regular, Troy Jollimore, who is presently judging IBPC poems. Here we link to two articles he has in the Washington Post. Great Regulars is the largest section of Poetry and Poets in Rags, and often leads in with an article by Bryan Appleyard, a former IBPC judge himself. Why all this about IBPC?



The InterBoard Poetry Community's 2011-12 Poem of the Year results are in with a big thanks to our esteemed judge Toi Derricotte! She selected poems by a supreme trio of female poets. Here they are, with big congrats to the poets and the forums where the poems were workshopped:

First Place: yard work by Dale McLain of Wild Poetry Forum

Second Place: The Lost Daughter by Laurie Byro of Desert Moon Review

Third Place: Matryoshka by Brenda Levy Tate of PenShells

Thanks for clicking in.

Yours,
Rus

Our links:

IBPC: Poetry & Poets in Rags

Poetry & Poets in Rags blog

IBPC Home

~~~~~~~~~~~

News at Eleven: A new peace movement to end the US-sponsored

drug war begins with buses rolling and feet marching from the Tijuana--San Diego border on August 12 through twenty-five US cities to Washington, DC, in September.

Named the Caravan for Peace, the trek is intended to put human faces and names on the estimated 60,000 dead, 10,000 disappeared and 160,000 displaced people in Mexico since 2006, when the US Drug Enforcement Agency, Pentagon and the CIA supported the escalation of the Mexican armed forces.

from The Nation: Can the Caravan of Peace End the War on Drugs?
from CNN: Mexican poet prepares U.S. peace march

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News at Eleven: "Every month, they would keep me

in solitary confinement for 15 days. Another 15 days of each month I would spend in another facility in the town of Nukus, some 500 kilometers away," [Yusuf] Juma says.
 
 "They would transfer me there in a small iron box--too small to sit, too small to stand up. And it was a bumpy road and my head would bang against iron. There wasn't enough air to breathe."

from Radio Free Europe/Radio Liberty: Uzbekistan's 'House Of Torture'

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News at Eleven: Everything she could stuff into her suitcase

could go along as her family fled the authoritarian regime of Ferdinand Marcos in Manila in 1970; there was only a whirlwind week to prepare to move nine people from the Philippines to Spain, where her mother's family lived. What didn't fit in [Sofia] Starnes' suitcase she had to leave behind.

It was a defining moment in Starnes' life that eventually led to her passion for poetry.

from Williamsburg Yorktown Daily: Get to Know New State Poet Laureate

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News at Eleven: There's one thing that is very important,

no matter what kind of period of history you are in: Always know yourself. If you know yourself, you have nothing to worry about. It's like watching a play. You have two selves. One self is standing on this earth, another self is looking down from the air. [--Zheng Min]

from The Wall Street Journal: Scene Asia: A Poet From China's Avant-Garde Looks Back

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News at Eleven: I also noticed that most translators elevated

the tone of the language, presumably to gesture to the fact that the poem was written in the medieval era. I found the elevated tone distancing. Wasn't it enough just to know when the poem was written? I then wondered how the lines might sound if they were translated into a more colloquial form of English--colloquial and yet poetic, because after all, it is a poem.

from MinnPost: Poet Mary Jo Bang translates Dante's 'Inferno,' and gives it an update

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News at Eleven: When Samuel Beckett was asked to write

the libretto for a short opera in 1958, he managed to complete just one line before abandoning the project: "Je n'ai pas envie de chanter ce soir" ("I have no desire to sing tonight"). He was even less enthusiastic about his poems, describing them at different times as "worthless", "spittle" and "turds from my Central Lavatory". Yet from his early collection Echo's Bones, to the haunting lyric "What is the Word" he wrote shortly before his death, Beckett produced a thin but steady trickle of poetry.

from The Telegraph: The Collected Poems of Samuel Beckett ed by Sean Lawlor and John Pilling: review

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News at Eleven: In "Ghost" she avoids the first person

and keeps a tight rein on emotion. The "weeping fig" and pregnancy kit "in pieces" may set the emotional tone but [Julia] Copus permits herself no release beyond the "small, controlled explosion" (which could be a description of the poem itself). Instead, the moment of seeing the weak blue stripe, the hint of a pregnancy refusing to confirm itself, is recorded.

from The Guardian: The World's Two Smallest Humans by Julia Copus--review

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News at Eleven: Here in Buenos Aires, the requirements for obtaining

the pension are fairly strict. A writer must be at least 60 and the author of at least five books released by known publishing houses, ruling out self-published writers. Authors of tomes on law, medicine or other technical matters need not apply, as the pensions are limited to writers of fiction, poetry, literary essays and plays.

In extraordinary cases in which an author has published fewer than five books, an evaluation committee, with its members drawn from organizations like the Argentine Writers Society and the literature department of the University of Buenos Aires, considers recognitions like literary prizes in determining the eligibility for a pension.

from The New York Times: Argentina's New Literary Tradition: Pensions for Aging Writers

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News at Eleven: But of course there were other influences

and affinities. [Louis] MacNeice was open to poets like Thomas Hardy and Robert Frost, as the poet Paul Muldoon notes in his essay. John Goodby writes about MacNeice's complicated relationship with Dylan Thomas, whom he admired as a true bard. The editors of "Incorrigibly Plural," Fran Brearton and Edna Longley, quote Larkin--the only Movement poet who paused to value MacNeice--saying that MacNeice's poetry "was the poetry of our everyday life, of shop-windows, traffic policemen, ice-cream soda, lawn-mowers, and an uneasy awareness of what the newsboys were shouting." Stephen Regan, in his essay on the two poets, observes that "Larkin, like MacNeice, becomes a town observer in his poems."

from The Wall Street Journal: Remembering The Poet's Poet

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News at Eleven: An expeditious glance at the illustration on

the cover of The Book of Men gives a general sense of the book's themes. The phallic imagery of flora and fauna blossoming out of a pair of white men's briefs conveys the sense of humor, personal growth, and life experience that [Dorianne] Laux applies to decades of relationships. It is these relationships that she shares in her latest book of poetry.

from Bookslut: The Book of Men by Dorianne Laux

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News at Eleven (Back Page): However, guess which male author

The Atlantic Wire specifically mentions, as if he is the driving force behind men's exclusion of female writers: "hard-living, macho writers like . . . Jack Kerouac." Interesting. I would have called him a life-affirming, sensitive author. It was Kerouac, after all, who wrote, "Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk--real straight talk about souls, for life is holy and every moment is precious."

from The Millions: On the Highway of Love, Jack Kerouac Divides Men and Women

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Great Regulars: [Tom] Waits then slowed down the recording

by the ratio of the human life span to that of the crickets. What you hear, then, is the song of crickets as if they lived as long as humans.

Over tea and cakes in one of north Norfolk's plusher hotels, Morston Hall, [Robert] Wilson gestures to one of his entourage to get a laptop. After some techno-faffing, the assistant finds the file and plays it. I gasp; everybody gasps.

from Bryan Appleyard: The Sunday Times: Robert Wilson's Slow Time

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Great Regulars: And I just love it because it's really metaphorical.

It's very playful. Many of the sport terms are basically invented by teenagers and young people, as they're inventing the actual moves of the sport. And so, there's a lot of metaphoric possibility. There's a lot of room for cleverness, for playfulness, but also sometimes for seriousness, for thinking about the sports and what they teach us and how I can put that into a poem. [--Priscilla Uppal]

from Jeffrey Brown: PBS: Newshour: Finding Poetry in the Athleticism and Lingo of the Olympics
then Jeffrey Brown: PBS: Wednesday on the NewsHour: Olympic Poetry

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Great Regulars: [Kris] Bigalk is the Director of Creative Writing at

Normandale Community College. Her first full-length collection of poetry, Repeat the Flesh in Numbers, was released from New York Quarterly Books in February 2012.

Remedy

from Marianne Combs: Minnesota Public Radio: State of the Arts: Minnesota Poetry: Kris Bigalk's 'Remedy'

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Great Regulars: 'Translating the British, 2012'

by Carol Ann Duffy

from Carol Ann Duffy: The Guardian: 'Translating the British, 2012' by Carol Ann Duffy

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Great Regulars: Reviewer R042 said that Pelt "stunned me

in a way that a great book should--this doesn't have to be through great incident, or wit, but sometimes just the sheer power of the way in which something is expressed". Jackson's poetry is both "powerful and violent", according to R042, while supporter Dylanwolf praised Pelt as "an assured and mysterious collection--a rewarding read, reminding one of the rich and affecting experience that is the glory of reading poetry".

from Alison Flood: The Guardian: Readers nominate Sarah Jackson for Guardian first book award

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Authors are asking a New York judge to order Google to pay them $750 (£479) for every book the search giant scanned without authorisation as part of its controversial Google Books programme.

The litigation has been running since 2005, when Google began to digitise millions of books without permission from authors to huge protests. A proposed $125m (£79) settlement was rejected last year when judge Denny Chin ruled that Google's plans had gone "too far", and now the legal wrangling is kicking off again.

from Alison Flood: The Guardian: US authors seek damages in Google Books copyright row

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[Emily Colette Wilkinson and Garth Risk Hallberg have] now picked the most difficult of the most difficult--the 10 "literary Mount Everests waiting out there for you to climb, should you be so bold"--and have laid them out for discussion at Publishers Weekly.

The titles?

from Alison Flood: The Guardian: The world's most difficult books: how many have you read?

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(New to) Great Regulars: Works of art--film, music, poetry--

can invoke, and sometimes define, an entire era of one's life. Maureen N. McLane's "My Poets" is part memoir, part literary appreciation; it's a meditation on the poems that have intrigued, instructed, fascinated, troubled and sustained her. A poet and critic who teaches at New York University, she has written a book about "what most marked me"--works of poetry that she and many other readers love, by Chaucer, Gertrude Stein, William Carlos Williams, Marianne Moore, Emily Dickinson, Shelley and Louise Gluck, among others.

from Troy Jollimore: The Washington Post: 'My Poets,' by Maureen N. McLane

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In a similar way, "The Best Years of Our Lives" weaves together [Stanley] Plumly's recollections of his parents with the plot of that 1946 filmand memories of first seeing it with his grandmother. The poem is a masterpiece about a masterpiece. Indeed, every poem in "Orphan Hours" is masterful, and I hope this collection helps bring Plumly, one of our best poets, the wider attention he has deserved for a long time.

from Troy Jollimore: The Washington Post: Michael Collier, Stanley Plumly, Jane Shore, Lucille Clifton: Great poets of D.C. area

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Great Regulars: The Farm

by Joyce Sutphen

My father's farm is an apple blossomer.

from Garrison Keillor: The Writer's Almanac: The Farm by Joyce Sutphen

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In the Moment
by Maxine Kumin

Some days the pond

from Garrison Keillor: The Writer's Almanac: In the Moment by Maxine Kumin

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Leave-Taking
by Louise Bogan

I do not know where either of us can turn

from Garrison Keillor: The Writer's Almanac: Leave-Taking by Louise Bogan

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Nobody Loves You
by Ramon Montaigne

Once I lived a life of some renown,

from Garrison Keillor: The Writer's Almanac: Nobody Loves You by Ramon Montaigne

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Place to Be
by Robert Creeley

Days the weather sits

from Garrison Keillor: The Writer's Almanac: Place to Be by Robert Creeley

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Prayer for What is Lost
by Stuart Kestenbaum

We are moving forward

from Garrison Keillor: The Writer's Almanac: Prayer for What is Lost by Stuart Kestenbaum

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Sunlight
by Jim Harrison

After days of darkness I didn't understand

from Garrison Keillor: The Writer's Almanac: Sunlight by Jim Harrison

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Great Regulars: When your knees become tired, when your

clothes wear out from rubbing, when you feel squeezed in the crowd at a public lecture--this is all, according to Rava, the work of demons. And there are magical ways of making demons show themselves. All you have to do is find a black female cat who is the firstborn daughter of a firstborn mother, burn her placenta to ashes, grind the ashes, and put some of them in your eye, and you will be able to see the demons. Be sure, however, to place the remainder of the ashes in a sealed iron tube, lest the demons steal it from you.

from Adam Kirsch: Tablet: The Talmud's Many Demons

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Great Regulars: A while back, we published a poem about

a mockingbird, but just because one poet has written a poem about something, he or she doesn't hold rights to the subject in perpetuity. Here's another fine mockingbird poem from Carol V. Davis, who lives in Los Angeles.

Mockingbird II

from Ted Kooser: American Life in Poetry: Column 386

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Great Regulars: by James McKay

I want to be a Penguin

from Jody Porter: Morning Star: Well Versed: I want to be a Penguin Modern European Poet

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Great Regulars: The story is a tragic one, and not simply

because the husband and wife are trapped together by Victorian divorce laws, as some flat-footed commentary suggests, though they are certainly constrained by a social etiquette that adds to their misery (see XVII). They are, above all, self-destroyers. While his treatment of location shows him more of a Romantic than the French writer, [George] Meredith brings something of [Gustave] Flaubert's surgical precision to his dissection of the psychologically complex "marriage-knot" entangling the couple.

from Carol Rumens: The Guardian: Poem of the week: Modern Love by George Meredith

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Great Regulars: [by Matthew and Michael Dickman]

A Ghazal in Guam
(a ghost walks out onto center stage)

GHOST.

Is there anywhere I won't die? Maybe a place called Guam

from B.T. Shaw: The Oregonian: Poetry: 'A Ghazal in Guam' by Matthew and Michael Dickman

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Great Regulars: There is, as yet, no "training school" for

international mediators, and thus one of the only ways to learn is to look at the style and techniques of experienced mediators.  This book looks at key efforts by the Swedish diplomat (and sometimes U.N. official) Jan Eliasson in four conflict situations: the Iran-Iraq war; two aspects of the Sudan conflict: the North-South Sudan civil war and the armed militias in Darfur; the Nagorno-Karabakh conflict between Azerbaijan and Armenia; and the 1991-'92 refugee flow of Rohingyas from Burma to Bangladesh. It happens that in each of these conflicts I was involved at the same time in Track II efforts, but working largely from the U.N. in Geneva and knew some of what Eliasson was doing from U.N. staff involved.

from René Wadlow: Fellowship of Reconciliation: The Go-Between

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Great Regulars: locust july

by Justin Hyde

the little

from CounterPunch: Poets' Basement: Three Poems by Justin Hyde

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Great Regulars: Editor's note: Catherine Barnett is the recipient

of a Guggenheim Fellowship, a Whiting Writers Award, and a Pushcart Prize. Her first book of poems, "Into Perfect Spheres Such Holes Are Pierced," was published in 2004 by Alice James Books. Her second poetry collection, "The Game of Boxes," was just released by Graywolf Press. Barnett works as an independent editor and teaches at Barnard College, The New School, and New York University.

In the Cabinet of What's Expired:

from Good Times Weekly: Poetry Corner: The Poems of Catherine Barnett

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Great Regulars: Golem

By James Lasdun

from The Guardian: The Saturday poem: Golem

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Great Regulars: By Leigh Stein

I am wearing my librarian costume.

from PBS: Newshour: Weekly Poem: 'Dispatch From the Future'

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Great Regulars: By Susan McMillan

The Post-Bulletin, Rochester MN

This chill morning air!

from Post-Bulletin: Poem: August

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Great Regulars: [by Lahab Assef Al-Jundi]

How Do You Make Peace With That?

That

from San Antonio Express-News: Poem: 'How Do You Make Peace With That?'

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Great Regulars: "At Fifty"

By Eric Rawson

from Slate: "At Fifty"

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Great Regulars: Though comparatively personal in its content,

"Remembering My Father" is otherwise consonant with the body of Herbert's work, which strives to wrest integrity and beauty from oppression and destruction.

[by Zbigniew Herbert]

Remembering My Father

from The Times Literary Supplement: Poem of the Week: Poem of the Week: "Remembering My Father"

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Poetic Obituaries: Suresh Parshottmadas Dalal had won

Sahitya Akademy Award for his work Akahnd Zaar Vage in 2005.

During his long literary life, Dalal edited Gujarati poetry journal Kavita and a literary quarterly publication Vivechana besides running Image Publishing House, which became synonymous for publication of quality Gujarati literary work.

from Expressindia: Suresh Dalal, doyen of Gujarati literature, dies at 79

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Poetic Obituaries: [Shamshirul Hydri (or Shamsherul Hyderi)] authored 12

literature books, free-verse poems, child literature, a comparative study of Shah Abdul Latif Bhitai's poetry and other subjects. He had contributed more than 300 dramas and documentaries, portraying the social fabric and at the same time trying to change the psyche of the people of Sindh through Pakistan Television.

from The News International: Sindh mourns the death of a crusader
then Dawn: Poet Shamsher buried in protected Chowkundi graveyard

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Poetic Obituaries: Members of the Salisbury House Poets and

the Salisbury House Writers groups are said to be "in a state of shock" after learning that Mr. [Bill] Looker, 82, from Edmonton, had been killed.

Anthony Fisher, the co-founder of Salisbury House Poets, said that Mr. Looker had a great understanding and knowledge of poetry and he wrote poetry and composed songs of his own.

from North London: Pensioner killed during Friday night crash in Edmonton is named

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Poetic Obituaries: [Susie] Rose had since been involved with

Voices and with preserving the memory of her husband. In fact, she spent the day before she died addressing and mailing 73 envelopes containing copies of a book of collections of poems and letters written by Reuben Rose. The book had arrived from the printer only two days earlier.

from Haaretz: Poetry supporter dies three days after 'seeing her dream' realized

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Tuesday, August 07, 2012

August 7th Poetic Ticker Clicking

News Article Tape:
Blog Entry Tape: