Great Regulars: This is something different. We recognise

some themes in there--the Nile, the delta, the music--but essentially this is an avant garde excursion that's closer to music than most conventional poetry we see. There is a violin player recognisable at the start as the piece begins, and some descriptions of the dizzying, reeling, fragmented and discordant music being played. There is the "eventual pining deterioration".

from The Guardian: Poetry Workshop: collisions

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