their verses backward from mirror images. Still, it's the script that drives "21 Etchings and Poems." Dylan Thomas's "The Hand That Signed the Paper Felled a City," a screed against unbalanced political power, is written in a squat, curling hand. Peter Grippe's images spring from that gestural language. At the bottom, a giant, meaty hand prods and holds packs of small, inert bodies; a mushroom cloud rises along one margin.
from The Boston Globe: Artists add vigor to poets' verses
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