of authenticity, it is the sustained energy of the line, the syntax and the argument that prove the impression is rooted in the real thing. There is a personality to Burns's tone, and an energy to the syntax, that seem literally physical. This is not only a matter of diction. The very forms he favoured with the riches of his native language--the song, and the verse-epistle--connect directly to the voice.
from Carol Rumens: The Guardian: Books blog: A Poet's Welcome to his Love-Begotten Daughter by Robert Burns
also Carol Rumens: The Guardian: Books blog: The Romantic poets: Childe Harold's Pilgrimage: A Romaunt by Lord Byron
also Carol Rumens: The Guardian: Books blog: The Romantic poets: Nutting by William Wordsworth
also Carol Rumens: The Guardian: Books blog: The Romantic poets: On First Looking Into Chapman's Homer by John Keats
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