in a competition a smart move is to be interesting. Think of a poet such as Wallace Stevens, whose titles compel us to read on: "The Emperor of Ice Cream", "The Plot against the Giant", "Anecdote of the Jar". Even a poem that says upfront what the poem is about (like, say, "The Blue Dress" by Sharon Olds or "My Shoes" by Charles Simic) is immediately intriguing. An abstract cliched phrase isn't going to cut it. Interesting things happen when you try to, in Pound's phrase, make it new.
from The Guardian: Nick Laird: It is necessary to spell your poetry correctly
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