it seized his flesh, and then it sought the bone,
Ha! Ha!
And then it sought the bone.
Like "the living fleece" of her protagonist's golden hair, Helen Adam's grue is animated by primordial femaleness. Even when monstrous acts are committed by the men in her verses, they are driven by and against the femme fatale's generative power. The collages she made (some of which are reproduced in the Reader and the DVD) show coiffed models from advertising pages juxtaposed with insects and rodents--the teeming life of the earth.
from The Nation: A Nurse of Enchantment
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