"was given to describing his methods of composition in terms implying a giving-in: the poet was to be passive, responsive, available to all sensation. His desire was to reveal the soul, but soul, to Keats, had no spiritual draperies. Spirituality manifests the mind's intimidating claim to independent life. It was this invention Keats rejected. To Keats, the soul was corporeal and vital and frail; it had no life outside the body." And so with Glück:
Crossroads
from CUNY Graduate Center Advocate: "Beyond the Intensities of the Fountain"
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