your jeweller's spy-glass on an old favourite, "Casabianca", perhaps the most loved and widely-anthologised poem of the 19th century.
The best-selling Liverpudlian poet Felicia Dorothea Hemans was an ambitious, prolific writer, who produced larger-scale works than "Casabianca" (1826). She has deserved some recent efforts at reappraisal, but my question is not about her overall reputation. It's whether this poem deserves the 21st century's attention. Is it diamond or paste?
from Carol Rumens: The Guardian: Poem of the week: Casabianca by Felicia Dorothea Hemans
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