July 26th Poetic Ticker Clicking
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sincerity in, say, religious utterances--in Handel's Hallelujah chorus, for example, the thrilling "For the Lord God Omnipotent reigneth" becomes in French the oily, sycophantic language of the court: "Pour le règne de Dieu tout-puissant seigneur". But English can turn Verlaine's lightly brushed-in atmospherics into an earthbound plod. The subtle, shifting music of "L'or des cheveux, l'azur des yeux, la fleur des chairs" becomes the brassy "Blonde hair, blue eyes, the flesh in flower". And the poker-faced subtle satire of "Il est juste-milieu, botaniste et pansu" becomes the pedestrian "A young man of means, a botanist, potbellied".
the definitive work on Josef Brodsky in any language and above all has created an engaging narrative of the poet's life while approaching his work with sharp critical acumen. A more complete biography may emerge in coming years, but this book will remain indispensable.
fifties, comes from New England, and he hung around in Boston, where he seems to have been strongly influenced by the odd mixture of Beat hipness and poetic altitude that marks the work of the underappreciated John Wieners. In a way, the young Alcalay sounds more like a member of a previous generation. He listens to jazz, not rock, to Archie Shepp, not Janis Joplin.
Mme. de Rovira that totally unsettled him, decided to free himself from the "idols" of love and poetry, and henceforth devote himself solely to the intellect, to understanding what consciousness and knowledge were. This awakening is fundamental to Paul Valéry's writing, which is an attempt to make a science out of the workings of the mind.
should work more from home for three months and report directly to them, resulted in [Judith] Palmer resigning and threatening legal action.
who will meet with Mexican lawmakers next Thursday, wore clocks around their necks to symbolize their demand that lawmakers get back to work.
they had made their position clear: no one is untouchable.
a political purpose? Or should the poet revolutionise his own poem, regardless of the subject that it deals with?'
increased in recent months?
and National Historic Site, officials were incredulous. "In Flanders Fields is a call to arms," said Bev Dietrich, curator of McCrae House. "What is this other claim? Where did they get their sources? If it is out there, we'd like to see it."
equally ill-fated. He [Wolfgang Puck] walked into the kitchen, treading on giant sheets of pastry that had been left on the floor while the staff looked on in horror--"I didn't get the job."
the books just kept on coming, and the flame of obsession, consequently, burned bright. From the Ladybird versions I moved on to Rosemary Sutcliff's King Arthur trilogy, TH White's glorious The Once and Future King and, more tangentially, The Dark is Rising series by Susan Cooper. At university, I got back to the source material with Malory, and indulged myself with Tennyson. I have been known to kick back on a Saturday afternoon with a cup of tea and episode of Merlin.
so singularly identifiable, so stunningly intimate, so hauntingly unforgettable in its timbre, tone, timing and impeccable delivery, [Amy Winehouse,] the equally literate crafter of cut-above tunes most likely went too far during one of her sorrow-snuffing self-medicating sessions. And yes, she does join an elite clutch of stellar artists who also died during their 27th year, an eerious case of serendipity if ever one existed. Leonard Cohen, in Tower of Song (I'm Your Man, 1988) refers to "27 angels from the great beyond" on that wall-to-wallop disc's closer because, as some of us obsessive trivia trackers know, that's how many angels can dance on the head of a pin. (Only 26 angels dance tonight.)
find answers to his questions regarding his existence on this material plane; he represents all minds that are hungry for answers to the deep questions over which philosophers have struggled for centuries: Who am I? Why am I here? Where did I come from? Where do I go when I die?
by Norbert Krapf
Americans enjoys spending time bird watching, or birding, and here's a poem for some of those people by Kathleen M. McCann, who lives in Massachusetts. I especially like the way she captures the egret's stealthy motion in the second stanza.
of Camden, uses the traditional approach of rhyme and meter for a contemporary subject: last call in a night club.
we can understand? Does it have a message that we can hear? Or are the sights of ice and rock, the sounds of wind and rain, nothing more than gibberish?
in the 1970s, when I used to write the old, traditional Consumer Reports style of reviews I have in mind here--sometimes under a pen name--because I needed the money, even in the small quantities paid to reviewers. This was the age of the typewriter, and one of the newspapers I wrote for gave me the rules as part of the same photocopied style-sheet that specified the quality of ribbon, the size of margins, where to double-space, when to use italics, all-caps, or quotation marks for titles, where to put the reviewer's byline, and so forth.
your jeweller's spy-glass on an old favourite, "Casabianca", perhaps the most loved and widely-anthologised poem of the 19th century.
By Gary Corseri
are featured on The Arty Semite today. The first piece, "Blue Vitriol," is dedicated to Rabbi Manny Viñas, leader of a Spanish-speaking congregation who has been involved in the rediscovery of Conversos--people of Spanish descent with Jewish ancestors who were forcefully converted to Christianity. The piece opens with a phrase reminiscent of the Torah scribe's blessing before beginning work on a scroll.
Spare me the sweet sediment. Spare me the instant sour mix. Spare me
attuned to absence: things missing, words unspoken. Many of the recurring images here focus on what's not present: in the title poem the speaker doesn't walk a dog but a dog's shadow, in another poem the moon "plans to move off course," has been driven "away from home," and has deserted the sky. The attention to absence/presence is summed up neatly in "On Not Knowing Your Father": "I am trying to imagine the pain of a phantom/limb, but the pain I imagine is a phantom, too."
the genius of poet Philip Larkin has died, three months after unveiling a heritage trail in his memory in his adopted city of Hull.
prestigious reciting prize Gwobr Goffa Llwyd o'r Bryn at the National Eisteddfod twice.
maintained his love for literature, creative writing and, especially, poetry. His bookshelves, notebooks and tapes were ever-overflowing.
as he combined a growl of a voice with impeccable guitar picking, supported by lyrics that reflected his strong literary background. His music had diverse influences, from Bob Dylan and Dave Van Ronk to the old bluesmen, especially Mississippi John Hurt, whose music Mr. Morrissey featured on one of his two Grammy-nominated recordings.
Chicago's South Asian community, known for his activism, flamboyant fashion and touching poetry that dealt with themes including homosexuality, politics and his native Pakistan. He immigrated more than three decades ago.
waned in later years, but from a very young girl she loved to write poems, sketch and paint. She was extremely gifted in these areas.
especially bridge, collecting anything with butterflies, and watching sports, especially with her family. Also, she enjoyed writing poetry and painting, talents she discovered later in life.
several books and many articles about his friend and mentor, the poet Robert Frost.