paradox, this child's world constructed in such proximity to death, that makes the book so startling and so beautiful. Every incident is, in effect, seen twice: through the eyes of the historian and the eyes of a boy. The boy, for example, plays harmonica in a camp rendition of Beethoven's Ode to Joy, even as the crowds are herded to their deaths; the historian wonders what this apparently absurd performance meant. "Perhaps it was sarcastic, that was one possible explanation. Or the other possibility was that it was a declaration of deep humanistic values. At the time, I did not understand."
from Bryan Appleyard: from The Sunday Times: Job-Kafka-Kulka: The Road to Auschwitz
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