and introduced suddenly and completely, and consequently are often recognized immediately as novel and revolutionary. Thus William Carlos Williams reflected that T.S. Eliot's Waste Land "wiped out our world as if an atomic bomb had been dropped on it," and the critic A. Alvarez recalled that when Sylvia Plath first read "Daddy" and "Lady Lazarus" to him, he was shocked: "at first hearing, the things seemed to be not so much poetry as assault and battery." In contrast, experimental innovations generally lack drama, and appear quietly and gradually.
from The Huffington Post: Do Poets Peak Young? Don't Believe It
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