and undesirability, a fascination with disgust, which this poem has in abundance. There is also a sense of discomfort here, inversions/explosions of the integrity of the body and constructs of gender. But there is a deeper horror here as well, as slippery and repulsive as a frog skin: For all its grotesquerie, this is a poem intended to seduce.from The Globe and Mail: In Other Words: Natalie Zina Walschots on Jenny Sampirisi
also The Globe and Mail: In Other Words: Lainna Lane El Jabi on Christine Stewart
also The Globe and Mail: In Other Words: Poetry Month, the finale: rob mclennan on Robert Kroetsch
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